Friday, 30 September 2011

New judge on America's Next Top Model

Vogue magazine editor-at-large Andre Leon Talley is leaving the "America's Next Top Model" judges' table at the end of the series' current all-star season, and he'll be replaced by fashion diva and reality TV star Kelly Cutrone.

Cutrone confirmed her new job via Twitter on Wednesday: "It's true! I am joining America's Next Top Model'! Cutrone is already well known to fans of fashion-related reality TV.

She's the tell-it-like-it-is founder of fashion industry publicity firm People's Revolution, and has starred on "The Hills" and "The City," where she employed those show's stars, Lauren Conrad and Whitney Port.
She also starred in her own series, "Kell on Earth," last year on Bravo, and she is currently a correspondent on "Dr. Phil."

Talley, meanwhile, became an 'ANTM' judge in 2010, with the show's 14th cycle, the first season that included an Italian Vogue cover photoshoot for the winning model.

Tuesday, 20 September 2011

Ask me why I love Oscar de la Renta

Well, it’s pretty obvious. With a collection like this, i give my undying love.
Oscar de la Renta appeals to me in every kinda way. Just take a look at this stunning Resort 2012 collection, featuring prints, patchwork, polkadots, quirky hats, chic shift dresses, crisp blazers, everything a girl wants.
The styling is super chic and he offsets the sweetness with edgy shoeboots and interesting cowboyesque hats.
Totally and completely Oscar, totally and completely head over heels in love.



















Monday, 19 September 2011

Michael Sontag Spring/Summer 2012

I started Fashion Week this morning with Michael Sontag's show, a designer I've been following since he first presented his work in Berlin. Michael's signature are the flowing cuts, interesting drapes combined with simple shapes and surprising colors. They varied between muddy browns and shiny greys, pure white, muted lime green, gold and, of course (as it seems to be a color Michael appreciates a lot), pure pink. The collection felt like a rainy summer day, just when the sun is about to break through the luminous grey, when you still need to wear something coat-like but can already feel the warmth of the next days. Very optimistic and very Berlin.







Thursday, 15 September 2011

Start-up Says: Move Over, Vogue

"I like to track StyleCaster's success based on where we sit during Fashion Week," said Ari Goldberg, the CEO of StyleCaster, a three-year-old fashion media start-up, as he took his front row seat at the Tibi runway show at Lincoln Center.

"In the beginning, we were in the top row," he said, referring to the row farthest from the runway. "The next year, we were in the fourth row. Now I'm in the first. It's ridiculous. The front row has always been reserved for celebrities and fashion editors."

Not anymore. StyleCaster launched in 2009 with the editorial mission of bringing "style to the people." In turn, the media start-up has built a site where users, predominantly women ages 18 to 34, can find fashion advice, build personal profiles, share style tips, and discover new "looks." It produces in-house editorial fashion shoots in its studio space, which resides at the back of its 5,000 square foot Manhattan offices, near the Fashion Institute of Technology. And during Fashion Week, its staff of nearly a dozen editorial writers scramble from show to show to report on everything from celebrity sightings to runway trends.
To help people try to understand what StyleCaster is, Goldberg likes to describe it as "Facebook meets Conde Nast." It's site already boasts 2 million unique visitors a month.

Starting a media company in the the throes of an economic recession that hit magazines, newspapers, and media websites hard was a bold move. But in chaos lies opportunity, Goldberg believes. "As the saying goes, when there's blood in the streets, buy real estate."

And beyond the satisfaction of seeing (and being seen) in the front row, Goldberg believes the migration to the first row symbolizes something much larger: Namely, that young media start-ups and tech savvy entrepreneurs are giving old-school fashion magazines a run for their money, lulling away advertisers that are starting to look for digital platforms that just don't exist within brands like Vogue and Cosmo. And if anything, Fashion Week in New York serves to highlight this trend. A complex ecosystem of small companies have emerged in center stage, from blogs to social media start-ups. Even companies like Tumblr and Instagram are cashing in on the action.

"We’ve built a better mouse trap," says Goldberg, 29, who got his start in the media world as the VP for LeBron James's marketing agency. "We create content like The Huffington Post, but we have the caliber of brand that Conde Nast has built. There was a huge desire for both the reader and the advertiser to move from print to digital, but that experience didn't really exist. At the end of the day, this is a better, faster, cheaper, business."
Although the company does not disclose revenue, StyleCaster has raised $4.25 million in Series A funding from Dan Gilbert (founder of Quicken Loans and owner of the Cleveland Cavaliers), and plans to be profitable by the end of 2011. Among the site's advertisers are Dove, Starbucks, and Diet Coke, which recently launched a new campaign on a Times Square billboard featuring StyleCaster employees.
"We’re closing campaigns that historically never would have gone to a start-up," says David Goldberg, 27, who is Ari's brother and the president of the company.

And unlike a typical fashion magazine, which conjures images derived from movies like The Devil Wears Prada, StyleCaster is arranged more like a typical tech start-up than, say, is Vogue. There are communal tables, an open floor plan, and graffiti on the walls. It's irreverent, too; Last Thursday, the brothers arranged for a crossdresser to pose as Anna Wintour on Fashion's Night Out. And David's pug, Frankie, is one of the first in the office to greet visitors.
"What rules?" Ari says. "There are no rules."
To be sure, Ari and David are consumate entrepreneurs—not necessarily fashion experts. The brothers grew up in Cleveland, Ohio, where their family owned a steel business and a chain of dry cleaners—not exactly glamour industries.

But after moving to New York (and dating one of the founders of Porter Grey, a fashion line) Ari says he began to see the potential within the fashion industry for a new type of digital media company that is both accessible—and glamorous—for women who want to be stylish.

"We’re advertisers, we're marketers, we're sales guys, and we're brand guys," says Goldberg. "'Style to the people' is not only what we believe, but it's a better business model. It's about creating a brand that's inclusive of the reader, rather than exclusive."

He adds, "We're ambitious, and sometimes it bites us in the ass. People get to StyleCaster, and they go, 'Woah, there's a big idea here.' Have we fully capitalized on that? By no means. I think we're just scratching the surface."

Tuesday, 13 September 2011

NEW FACE OF THE WEEK! RENEE VAN SEGGERN


Betsey Johnson wows the crowd with her finale

NEW YORK (AP) — The highlight of Betsey Johnson's fashion show always comes at the end — and it has nothing to do with the clothes. The 69-year-old designer does her cartwheel on the runway, and it brings down the house.
On Monday at New York Fashion Week, she added a split, which brought huge applause from the crowd that included Nicki Minaj.
"I try to go to the shows of people I respect, and when I respect you, I like you," said Patricia Field, the designer, stylist and, most famously, the costume designer for "Sex and the City," from her front-row perch.
Field said her ties to Johnson go back to 1969. "We came up in this industry together," she said.
Relationships seem to count a lot for Johnson. The first model on her runway was daughter Lulu, if you don't count her granddaughters who entertained the crowd before the lights went down with their pink-streaked hair and little dance numbers on the runway.
At the end of the show, Johnson invites models on stage with balloons and encourages them to smile — normally a no-no for the catwalkers at the Lincoln Center tents at Mercedes-Benz Fashion Week.
But they were having fun with prodding: Her collection was an eclectic mix of tongue-and-cheek (really, more cheek) prom-ready sequined dresses, lace babydolls and other assorted lingerie-inspired looks, and tough-girl tight outfits with skull and X-ray motifs.
She also willingly shared with her usual younger fans just how long she's been at this. Several of the prints on T-shirts and T-shirt dresses featured Polaroid shots of Johnson in her younger years. One kaftan was covered with her face and the clear date of 1977.

Friday, 2 September 2011

Fashion Week Scheduling NotesFashion Week Scheduling Notes

In the wake of an eleventh-hour hurricane and persistent economic turmoil, this season's Fashion Week calendar has been reshuffled and revised like never before.
Marc Jacobs was the first—and most formidable—to change his time slot, postponing the runway show for his main collection from September 13th to the 15th, to close out Fashion Week. Partner and company president Robert Duffy blamed the delay on Hurricane Irene, claiming to WWD the staff lost precious time preparing the collection. However, with rumors of Jacobs' imminent succession to Dior reaching fever pitch, the last-minute change put industry watchers on high alert.
If Jacobs can do it, then so can Olivier Theyskens. Theory announced it would move the Theyskens show, also originally scheduled for Monday, September 12, to the next afternoon after being held up by the hurricane. 
Meanwhile, both Catherine Malandrino and Isaac Mizrahi are skipping this season altogether, while Vena Cava is scaling back to a closed "friends and family" showing for their spring line.
A Malandrino rep told Page Six that the company “is in a time of transition. We’re refocusing, and we’ll be back in February.” Mizrahi, though he shared the news himself in a video on the brand's blog, was a bit more cryptic in explaining why there would be no show for the spring collection, half-joking that it felt "modern" to them. Vena Cava's camp didn't offer up a hint of insight into their motivation to go private.
The calendar is also missing the GreenShows this September — a note to a fan on the official Facebook page indicates that they will not be holding their semi-annual sustainable-fashion runway shows, but to "stay tuned" for an announcement on their "plans to launch a retail distribution platform for the sustainable fashion movement."
That seems to be the latest, with less than a week until official kick-off. We're still marking our datebooks in pencil.